an evening of talks and performances for the contemporary attention span.
Presented by Ana Teixeira Pinto, in association with KW and Foreign Affairs‘ collaboration on the subject of the Bet.
Kunst-Werke Chora (3rd floor, main building), 3 Euros.
an evening of talks and performances for the contemporary attention span.
Presented by Ana Teixeira Pinto, in association with KW and Foreign Affairs‘ collaboration on the subject of the Bet.
Kunst-Werke Chora (3rd floor, main building), 3 Euros.
Kunst-Werke Studiolo (front house, first floor), 3 Euros.
Salon Populaire’s program at Kunstsaele will return in fall 2013.
With Samuel Korn
A Film Club Screening and Conversation on Fantasy, Separation and Urban Planning. Hosted by Florian Wüst. (mehr …)
Das Museum der Grausamkeit. Ein Ausstellungsmanifest
1. Ausstellungen sollten Medien kultureller Selbstverständigung sein.
Exhibitions should be the medium of cultural self-understanding.
2. Die Institution muss die Auseinandersetzung mit den Gesetzen und Zwängen des Museums selbst führen und darf diese nicht allein der Kunst oder dem Künstler überlassen.
The institution has to examine the laws and constraints of the museum and must not leave this to the art or the artist alone.
3. Die Unterscheidung zwischen Kunstwerk, kultur- und wissenschaftlichem oder Alltagsobjekt sowie das damit verbundene Selbstverständnis der Institution muss aufgelöst werden. Alle damit verbundenen Evidenzen stehen zur Disposition.
The differentiation between artwork, cultural, scientific or mundane objects, as well as the related self-understanding of the institution has to be eliminated. All related evidence is up for disposition.
4. Die Unmöglichkeit einer neutralen Präsentation befreit den Kurator/die Kuratorin nicht davon, diese durch Exponierung der konkreten Ausstellungsbedingungen je und je herzustellen.
The impossibility of a neutral presentation doesn’t free the curator from trying to establishing it through the repeated exposure of the concrete display conditions
5. Ausstellungen sind als Gesamtkunstwerk zu betrachten. Ihre Bedeutung entsteht durch die Wechselwirkung all ihrer Elemente und nicht durch einzelne Werke.
Exhibitions are to be regarded as a total work of art. Their relevance develops through the interplay of all its elements, not through single works.
6. Jede Ausstellung ist wesentlich Vermittlung. Der Kurator/die Kuratorin muss im eigenen Namen sprechen und sichtbar machen, welche Rolle er/sie gegenüber dem WAS, WIE und WEM der Vermittlung einnimmt.
Each exhibition is essentially a mediation. The curator has to speak in his/her own name and has to make visible which role he/she takes in mediating the WHAT, HOW and to WHOM of the exhibition.
7. Die Auswahl der Exponate darf nicht nur nach immanenten Qualitätskriterien erfolgen, sondern muss den Besucher von Anfang an in die Überlegung einbeziehen und das Verhältnis zu ihm exponieren.
The selection of exhibition material must not only follow immanent quality criteria, but has to include the viewer in its considerations from the start, and to expose its relation to him/her.
8. Die Idee der Wissensvermittlung darf nicht als sekundär/defizitär gegenüber der Präsentation angesehen werden und umgekehrt. Das Medium ist gesellschaftlich nur durch die Wechselwirkung beider legitimiert.
The idea of knowledge transfer must not be considered secondary/deficient to the presentation, and vice versa. The medium is socially only legitimized through the interplay of both.
9. Jeder Kurator/jede Kuratorin muss sich in seinem/ihrem Tun so angreifbar wie möglich machen. Theoretische Referenzen müssen sich im Medium selbst exponieren und nicht durch Zitate oder Paraphrasen. Sonst hat das Medium Ausstellung versagt.
The curator has to make him or herself vulnerable as much as possible in his/her own actions. Theoretical references must be exposed in the media itself and not via citations and paraphrases. In any other case the exhibition as a medium has failed.
10. Museen und ihre Ausstellungen werden Orte des kommenden Denkens nur dann sein, sofern ihre Agenten dauerhaft bereit sind, gegenüber ihren eigenen Evidenzen grausam zu sein.
Museums and their exhibitions are only then places of coming thought, if their agents are constantly willing to be cruel towards their proper critical values.
An exhibition seminar on the identity of the museum. By Ellen Blumenstein and Daniel Tyradellis
Ein Gastmahl. Dinner, Drinks and Discussions on a Special Topic.
Access to this event is open, but limited. Please rsvp to email@example.com
With Daniel Tyradellis.
Perspectives on power through feminist thought. Organized by Amber Hickey and Lindsey Sharman, ZhdK, Zürich.
Lecture performance on the Religious Struggle with Images – Somewhere Between the Iconoclastic and the Iconophilic.
With Paolo Chiasera. A series compiled by Tanja Schomaker.
How closely do you identify with the character you play in facebook?
— anonymous status update, social networking site.
Our upcoming fourth issue marks the first full year of our dual-language quarterly.
To celebrate the release of our spring issue, we’re hosting a launch event at the Salon Populaire at 7pm on March 10.
In keeping with the magazine’s bilingual nature, we’ll be asking questions about the nature of ‘Globish’, or global English: how does the predominance of the English language affect art, writing and culture?
Please join us in hearing Karl Holmqvist and Jan Verwoert, Alix Rule, and Vincenzo Latronico read, perform, and give their thoughts on this theme.
This launch is the first in a series of talks on the theme of language, artistic production, and criticism that we will be hosting during the month of March. More details to follow.
This event is free and open to the public, so please do bring your friends.
We look forward to seeing you there.
March 10, 2012
7:00 on the dot
Karl Holmqvist is an artist based in Berlin and Stockholm.
Vincenzo Latronico is a Milan-based author and translator.
Alix Rule is a critic and sociologist based in New York.
Jan Verwoert is a critic and contributing editor for frieze.
Series compiled by Ana Teixeira Pinto (mehr …)
With Anke te Heesen
A dialogue between Sonia Arribas and Howard Rouse. Organized in Cooperation with Subjektile (Felix Ensslin, Marcus Coelen); Published by Diaphanes.
Organized by Arsenal – Institute for Film and Video Art as part of the Berlinale.
Société Réaliste will Give a Talk on Invent / Invest within the Frame of the BEHAVING DIFFERENTLY! lecture series organized by Interflugs.
An evening about animals and ideology. With Ulrich Gebert and Cord Riechelmann.
With Ute Vorkoeper
Guests: Libia Castro & Ólafur Ólafsson (Rotterdam/Berlin)
Claudia Firth (London)
Venue: NGBK event space, 1st floor
Neue Gesellschaft für Bildende Kunst e.V.
Oranienstraße 25, D-10999 Berlin
Tel.: 49 (0)30 616 513-0
Email: HYPERLINK „mailto:firstname.lastname@example.org“email@example.com
Internet: HYPERLINK „http://www.ngbk.de//“www.ngbk.de
Since the end of 2010, an informal circle of Berlin-based persons involved in art has been gathering under the title “Haben und Brauchen / to Have and to Need” to take action in regard to cultural and urban political issues. As a grass-roots democratic art association, the NGBK makes its resources available for continuing the discussions initiated in the frame of “Haben und Brauchen / to Have and to Need” and expanding the scope beyond Berlin. The focus is on fathoming one’s own options for action – from formulating political demands, to establishing networks with similar national and international initiatives, to conducting artistic actions, all the way to drawing up alternative economic models beyond the state funding of art.
For the first event, guests from Rotterdam and London have been invited to give an account of the current repositioning vis-à-vis local cultural and urban policies and – based on examples from their context – the self-organisation of artists, as well as their protest actions against budget cuts and precarisation. Up for debate is the embedding of artistic work in societal developments – beyond the “creativity cosmos” and the art system.
Claudia Firth is an artist and writer living in London. She has participated in various collective work and housing projects including the Aesthetics of Resistance Reading Group and the Precarious Workers Brigade.
Libia Castro & Ólafur Ólafsson live in Rotterdam and Berlin. Their art projects are frequently based on cooperation and deal with problems of globalization and social inequality, among others issues. In the frame of this discussion, they will talk about their own projects to address the collaboration and connections with currently active social and political movements in the Netherlands and Iceland, and discuss possible links to the activities related to Haben und Brauchen / to Have and to Need.
The event series will be continued next year and additionally discuss topics such as the desire for a democratic city and the participation of residents in urban development processes. The privatization and increasing economic exploitation of urban space are clearly impairing the living and working conditions of residents and cultural producers. The event series seeks to continue the debate on the role and self-understanding of cultural actors in this context (between gentrification and precarious living conditions).
Moderation: Naomi Hennig, Karin Kasböck/bankleer, Translation: Millay Hyatt
Organisation team of the NGBK: Naomi Hennig, Karin Kasböck/bankleer, Uwe Jonas, Moira Zoitl
Special Guest: ‚Artists in Occupy Amsterdam‘ and Haukur Már Helgason
Participants among others: Ralf Homann, Joerg Franzbecker, Erik Göngrich, Florian Wüst, Elke Marhöfer, Tobias Hering, Sebastian Löwe, Christiane Dellbrügge, Ralf de Moll, Julia Lazarus, Ralf Homann, Doro Albrecht, Gitte Villesen, Kerstin Meyer, Raphaël Grisey, Nadin Reschke Kindlimann, Jochen Becker, Judith Siegmund, …
A Living Room Suite Presentation with the Master of Fine Arts graduates of the Piet Zwart Institute, Willem de Kooning Academy, Rotterdam, 2011, and Bernd Krauß
Bülowstrasse, 90 / 10783 Berlin
For information on Salon Populaire membership please contact firstname.lastname@example.org
The owner of this website is Ellen Blumenstein. She holds responsible for all its contents. Despite of careful control of all contents, we do not take responsibility for the contents of external links. The ones responsible for the linked websites are exclusively its owners.
Phone: +49 (0) 3044052451
An evening on the practice of writing in contemporary art (mehr …)
Conversations with Eric Santner
An evening organized by Felix Ensslin / subjektile; a series published by diaphanes
Eric L. Santner (professor in Modern Germanic Studies and Jewish Studies at the University of Chicago) in conversation with Luisa Banki (translator of „On the Psychotheology of Everday Life“ and of the Subjektile publication „Why Psychoanalysis?“ by A. Zupančič), Frank Ruda (author and co-editor of the Subjektile publication „Beyond Potentialities? Politics Between the Possible and the Impossible“) and Felix Ensslin (co-editor of the series Subjektile at Diaphanes publishing, Berlin and Zurich).
In „On the Psychotheology of Everyday Life“, Eric Santner puts Sigmund Freud in dialogue with his contemporary Franz Rosenzweig in the service of reimagining ethical and political life. By exploring the theological dimensions of Freud’s writings and revealing unexpected psychoanalytic implications in the religious philosophy of Rosenzweig’s masterwork, „The Star of Redemption“, Santner makes an original argument for understanding religions of revelation in therapeutic terms, and offers a penetrating look at how this understanding suggests fruitful ways of reconceiving political community.
Santner’s crucial innovation in this new study is to bring the theological notion of revelation into a broadly psychoanalytic field, where it can be understood as a force that opens the self to everyday life and encourages accountability within the larger world. Revelation itself becomes redefined as an openness toward what is singular, enigmatic, even uncanny about the Other, whether neighbor or stranger, thereby linking a theory of drives and desire to a critical account of sociality. Santner illuminates what it means to be genuinely open to another human being or culture and to share and take responsibility for one’s implication in the dilemmas of difference.
By bringing Freud and Rosenzweig together, Santner not only clarifies in new and surprising ways the profound connections between psychoanalysis and the Judeo-Christian tradition, he makes the resources of both available to contemporary efforts to rethink concepts of community and cross-cultural communication.
(Announcement Chicago University Press)
Perform a Lecture! magazine. Publication reflecting on the eponymous series by THE OFFICE. (mehr …)
A book presentation and conversation with Joshua Simon and Ingo Niermann in collaboration with Sternberg Press. (mehr …)
Book launch and a conversation between Barbara Breitenfellner, Inke Arns and Ute Vorkoeper (in German). (mehr …)
Screening, book launch, and a conversation between Ellen Blumenstein, Antonia Hirsch, and Maria Muhle (mehr …)
Buchvorstellung / Book launch (mehr …)
A book presentation and conversation with Jan Verwoert in collaboration with Sternberg Press and Piet Zwart Institute, Willem de Kooning Academy.
Cordula Daus will present her research and the soon to be published booklet „The Trujillo-Syndrome“ (Maas-Media Verlag). (mehr …)
A Conversation with Spector Books (in German). (mehr …)
An evening brought to you by Ana Teixeira Pinto; followed by Dinner, Drinks and DJ Julieta Aranda! (mehr …)
With Spanish tapas and Paella by Marco Segurado from “You Don’t Tell it to Anyone”. (mehr …)
With a surprise dinner by Elín Hansdóttir and Lynn Peemoeller
With a dinner by Forniture Pallotta.
With dinner cooked by Arvo Leo (David Lehmann) (mehr …)
Batsong, rehearsals for an Audioplay (mehr …)
By Luis Berríos-Negrón, Elín Hansdóttir, Mendel Heit, Fotini Lazaridou-Hatzigoga, and The Product with Jens Wunderling (mehr …)
The format’s idea is to gain insight onto the stories behind or before a finished art work. By inviting a guest to bring an object of his or her choice – a physical object like a book or a film or a non-physical object like Foucault’s figure of thought or even the inner city of Berlin – we hope to instigate and stimulate joint reflection and debate with the audience on modes of thought and on possible ways of making them visible or giving them forms.
Ein Gastmahl. Dinner, drinks and discussions on …
Taking up on the ancient Greek tradition of coming together to eat and drink while discussing philosophical questions, we would like to introduce a series of joint dinner-conversations at the Salon. Starting from both philosophical texts and personal experiences, stories and thoughts, we invite a number of guests to contribute to the evening’s diversity. Each guest will bring one story, thought or text, which they relate to the subject, and which will trigger the exchange of ideas and positions. In cooperation with Fotini Lazaridou-Hatzigoga / Program.
A series of evenings brought to you by Ana Teixeira Pinto; followed by drinks and music.
The attention span of an average adult is 20 minutes, and we do not intend to cross your threshold. Inspired by Pecha-Cucha evenings, each speaker will present his or her topic of choice in only 15 minutes.
The series Performing Books explores possible models to present, introduce and/or talk about books. The evenings attempt circumventing the recount or mere doubling of the respective book’s content and intentions. The book here is used as an object or starting point from which to traverse individual experiences to engage in a discussion with the audience.
The Happy Fainting of Painting (mehr …)
The series is concerned with painting as a discursive practice. Off the Painting questions and discusses how and to what extent painted images have an argument beyond their surface. The invited guests are theoretically and practically involved with painting, visual culture and related fields. The talks are both a reflection on the current position of the painting within the art system as well as the working out of specific qualities of painted pictures in their extended context of media discourses. The focus is on artistic positions that combine painting with a conceptual approach. The interest of this event series, therefore, is analyzing painting as an apparatus/dispositive. This raises the question of what current relevance painting may have for cultural and political image production.
A side story with Jung + Wenig and Doreet Harten. (mehr …)
An evening by Christos Hadjioannou. (mehr …)
Augustin Maurs, cello. Ana Teixeira Pinto, wolf. (mehr …)
A presentation on curiosity, control and censorship by Kirsteen Macdonald (Glasgow). (mehr …)
For Salon Populaire’s second year, we have chosen Labor and Transcendence as topics to constitute the frame for our investigations.
In our neoliberal-capitalist system, economy is the layout for the production, treatment and exploitation of subjectivity. Labor provides us with an identity, a role and a place in society as entrepreneurs of the self. At the same time, we are assigned a mere functional position in the political, economic and social setup of the state. Amongst creative workers in particular, though much has been done to problematize the notion of labor, alternative scenarios of contemporary subjectivization are not in sight. Our strategy, therefore, is twofold: we intend to single out meaning, and successful moments in/of labor, in order to emphasize the intensity it brings us, against all odds. Second, we look for other structures, which could provide social relations, possibly creating a community, beyond the boundaries of all-engulfing capitalism. We might have to go all the way back to the secularized remnants of our Christian cultural heritage for this.
The common denominator of religious and philosophical understandings of transcendence is the reference to a reality that exceeds what is perceivable by the senses. Thus the understanding of the sensual transcends its perception towards a third thing that needs to be determined in its relation to the perceivable. This provision has a first perspective in the structure of being, i.e. an ontological one, and a second perspective in the structure of human cognition, thus addressing an epistemological dimension.
Transcendence is an indicator for an opening, or a void in our rationalized understanding of and relation to the world, the search for meaning or truth, or even the possibilities of cognition. We aim to produce different approaches to transcendence that can link rationale with strategies of cognition which surpass the sensible.
A conversation between Antje Majewski, Mathilde ter Heijne and Ludwig Seyfarth about marches, processions, objects in rituals and some 70s feminist issues. (mehr …)
With Annika Larsson (mehr …)
In this film screening around characters, conceptions and misconceptions of love, Discoteca Flaming Star will show a selection of their video works. (mehr …)
You buy love, insurance, stockings, drugs, cauliflower, cars and plastic toys. But can you also buy friends? (mehr …)
It’s Athens, 416 a.d., and a number of the city’s luminaries get together for a drinking party at the home of the famous tragedian, Agathon. After some eating, drinking and dilly-dallying, they each resolve to deliver a panegyric in praise of Love. (mehr …)
City-Space, City-Life? Or the Avoiding of Human gadgets (2 Lectures)
With Estelle Blaschke, Armin Linke and Doreen Mende. (mehr …)
a Walk in Tiergarten-Süd and Schöneberg on the occasion of the exhibition of Flo Gaertner, Heiko Karn, Katrin Mayer, Eske Schlüters at RECEPTION.
An Evening with Mario Pfeifer (mehr …)
With Doreet Levitte Harten (mehr …)
A conversation with Mladen Stilinovic (mehr …)
Selected by Jeans Team and Machínes Désirantes. (mehr …)
A play by Elmgreen & Dragset; with Text by Tim Etchells
Drama Queens is a play without actors. Seven 20th century superstar sculptures find themselves trapped on a theatre stage and out of their usual context. How do they interact with this new environment and with each other? The drama unfolds through a series of clashes and crossovers between the various “isms” and aesthetics that these sculptures represent. The different sculptures are icons inspired by 20th century art history: Walking Man by Alberto Giacometti (1947), Brillo Box by Andy Warhol (1964), Elegy III by Barbara Hepworth (1966), Four Cubes by Sol Lewitt (1971), Untitled (Granite) by Ulrich Rückriem (1984), Cloud Shepherd by Jean Arp (1953) and Rabbit by Jeff Koons (1986). As ‚personalities‘ the sculptures assume characteristics from the cultural zeitgeist in which they were produced. Remotely controlled, the sculptures ‚perform‘ to a seated audience, thereby reversing the typical roles of how an audience engages with art in galleries, as well as traditional concepts of theatre.
The play has been developed for the exhibition skulptur projekte münster 07.
Michael Elmgreen & Ingar Dragset are based in London and Berlin.
Annette Weisser and Sylvère Lotringer will present The German Issue, read selected passages and engage with the audience in a non-nostalgic revision of the 1980s.
In its first year, Salon Populaire followed two thematic threads, which evolved from the composition of the project itself. On the one hand, we were interested in current conceptions and the handling of space, which have given important impulses to the content and the formal direction of the salon. Out of this, we developed preliminary key questions that deal with the production conditions in the arts and in other fields: Which and where are the spaces for thinking and presenting art today? What do they look like? Which (social) functions can they perform? In which way do they inscribe themselves into urban space?
The second topic, Love, emerged from of the social function of the salon. Personal and/or private bonds form a natural part of the art system today. The division between private and professional is even less possible here than in other fields, or perhaps it is even unwanted. Dealing with these relationships is problematic insofar as they are an immanent part of the exploitation logic in the capitalist system, and thus are automatically purposeful. In the salon, we followed the thesis that love nevertheless and still has the transforming (and maybe the revolutionary) potential to break open the rigid polarity of advantage vs.profit and pure disinterestedness, and that the basic principles of solidarity, support, care and trust, which come along with love, are preconditions for meaningful working and living.
Over the past months, To Have and To Need has established itself as a rhizomatic platform for artists and cultural producers that engage in fostering debates and taking action on issues of cultural and urban politics. (mehr …)
A series of open discussions in relation to Berlin cultural politics. Organized by Ellen Blumenstein and Florian Wüst
A film club screening and conversation on power relationships, media addiction, and capitalist hypocrisy hosted by Florian Wüst. (mehr …)
With the last event of the series, Film City Berlin reaches the recent past: the coming of age of the re-united city, symbolized by retro-style representational architecture and private town houses filling up the empty lots. The evening reflects on Berlin’s social transformations, the processes of commercialisation and the alleged rise of the so called creative class ever since the turn of the millenium.
In presence of Stephan Geene. Film excerpts out of After Effect (Stephan Geene, D 2007) and Eine flexible Frau (Tatjana Turanskyj, D 2010).
A series of Mises-en-Scènes by Florian Wüst
In a series of monthly evenings, Florian Wüst seeks to contextualize Salon Populaire spatially: by showing and commenting on selected film references and excerpts, he reflects on the history and the present of West Berlin – as the ’storefront of the free West‘, as a site for the squatting movements of the early 1980s, as well as a current ‚virgin land‘ for galleries and art spaces.
Florian Wüst is an artist and freelance film curator based in Berlin.
(Kagami no onnatachi) 2002 (mehr …)
(Erosu purasu Gyakusatsu) 1970 (mehr …)
(Akitsu onsen) 1962 (mehr …)
Yoshishige Yoshida. A Japanese New Wave Director to Discover.
A series by Clemens Krümmel and Miya Yoshida.
In cooperation with the arsenal – Institute for Film and Video Art (mehr …)
The series “Exhibition and the Act of Exhibiting“ approaches the contemporary art world’s ongoing debate on the role of the Curator. The series does not focus solely on the curator and his or her work, but attempts to present their role in light of its whole context and with regard to other actors in the field of art and media.
The events will both investigate the specific situation in Berlin – in its institutional and in informal exhibition practices – as well as the format of the exhibition and exhibition practice in general.
We are not only concerned with challenging different practices but also with attempting to articulate and establish exhibition and the exhibiting as a discourse. This discourse examines the role of different actors and parameters in relation to their function, social space and productivity. We would like to discuss and describe the terms of exhibiting: what ‘curating’ inside and outside of the museological framework can mean.
On one hand, this series would like to consider basic processes and premises of the exhibition as “cultural technique” and not to present it through concrete projects. On the other hand, strategies for regulating this emerging discourse will be analyzed by relating it to other fields, establishing specific forms of legitimization.
“ Exhibition and the Act of Exhibiting“ is created as a forum aimed at all those who are interested in the exhibition as a form of knowledge production and who are seeking a long-term dialogue.
A series by Ellen Blumenstein and Felix Vogel
A talk with Pavel Büchler, Barbara Casavecchia, Jason Dodge, Tim Rollins (mehr …)
An evening organized by Kaspars Vanags, Juste Kostikovaite and KIM? Contemporary Art Centre Riga. (mehr …)
IL DOLCE FAR NIENTE – A picnic conversation (mehr …)
Salon Populaire collaborates with institutions in the city and elsewhere. We either invite our partners to organize an evening at the Salon or we visit our partners and present the Salon Populaire Program.
Even better than the real thing: About Studies in Sculpture
Undisciplined bodies – an evening dissolving social and spatial conventions.
Salon Populaire partners with the Künstlerhaus Bethanien to showcase time-based works and special productions by the center’s artists in residence. Künstlerhaus Bethanien promotes contemporary art and is a center for 25 artists in residence. At the salon, they are invited to leave their studio practice and engage with an audience in an event open to their own interpretation.
SALON POPULAIRE is a meeting point in Berlin, inviting anyone interested in the arts and its reflection. It participates in Berlin’s cultural and political reality, addressing its local context as much as issues of universal concern with space for anachronistic, indulgent, academic, individual engagement.
SALON POPULAIRE is a social space, which takes up on the history of the salon and actualizes it according to its organizers’ and audience’s needs. It is a political space in the sense that it intends to interrupt assured knowledge and create a space of possibility and exposure.
SALON POPULAIRE positions itself at the intersection between exhibition space and academic research, aiming to explore potential forms of joint knowledge production and to seek a third (neither institutional nor academic) way of exchanging ideas. Art in all its genres is always the starting point, the intermediary for guests, organizers and audiences for entering, though with no secure outcome.
SALON POPULAIRE is a project by (Ellen Blumenstein, with Fiona Geuß, Ulrike Bernard and Bryndis Bjornsdottir); space concept by raumlaborberlin (Markus Bader).
No personal data is stored on this website which go beyond what is technically necessary to view the page.
We do not send data to third parties such as Google or Facebook.
According to our web host One.com, IP addresses are only used to calculate statistics to determine the country of origin of the visit. Thereafter, the addresses would be deleted immediately.
Bar Populaire brings together leading figures in Berlin’s cultural context and their respective audiences, which do not frequently have the opportunity, time or occasion to meet and talk. For each part of this irregular series, Salon Populaire invites two guests to bring a topic they would like to talk about and to ask further friends and colleagues to join them for a drink at the Salon’s bar. The salon’s events draw on different audiences and address different interests; Bar Populaire invites these different audiences to meet in the Salon’s own community.
Michael Dreyer: Triple Negation – Double Props, I. WE NOW INTERRUPT FOR A COMMERCIAL. (mehr …)
Salon Populaire took up its activities in May 2010. Since then it hosts regular and irregular events with friends and colleagues from the art world…